Richard Pearse is a New Zealand-based artist that lives and works out of a shed in Patea, South Taranaki. He produces mosaic, artistic compositions made from recycled wood scraps. Intricately cut and painted, the pieces are glued together to form colorful, graphic and geometric patterns, while embracing the natural beauty and textural variations of the wood.
I just returned from Costa Rica. As usual, I was on a hunt to satisfy my textile obsession. While the indigenous communities of Costa Rica are not known for textile production, I managed to discover a group that is, just over the border in Panama. The Kuna Indians, a tribal community occupying the San Blas islands off the Eastern coast of Panama are recognized for their colorful geometric cotton panels referred to as Molas. The elaborate, artistic textiles are created utilizing a reverse appliqué technique applied to several layers of different color cloth, through which designs are carved. Molas have become a part of the traditional dress of the Kuna women. They are attached to the front of blouses and skirts as a form of artistic expression and a celebration of the culture.
Deep within the Ituri Rainforest of the Northeastern Democratic Republic of the Congo, formerly Zaire lies the habitat of the Mbuti people, one of the last hunter-gatherer cultures in the world. This distinctive nomadic society thrives solely off the rich, natural environment of their surroundings. The Mbuti are bamiki bandura, “children of the forest.” Their values are deeply rooted in spiritual and symbolic tradition expressed through song and dance. The barkcloths are produced as ritual dress for festivals, celebrations and rites of passage, including wedding and funeral ceremonies. The elaborate art of the barkcloth is a social activity, and Mbuti learn how to make barkcloth from an early age. The barkcloth canvas is obtained by the men, sourced from the inner bark of about six different species of trees. It is pounded with an ivory or wood mallet to produce a subtle textured and supple fibrous canvas composed of various natural shades of white, tan or reddish brown. The women prepare the dyes and paints from a variety of roots, fruits and leaves which they collect from the forest. The paint is applied with twigs, twine or fingers. The Mbuti barkcloth paintings reflect their world. They are abstract expressions of the forest from …
The Design Evangelist 